{"links":{"first":"https://ars.rtvslo.si/api/post?categories=93&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=1","last":"https://ars.rtvslo.si/api/post?categories=93&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=15","next":"https://ars.rtvslo.si/api/post?categories=93&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=2","prev":null},"data":[{"type":"Post","id":"79775","attributes":{"wp-id":629204,"date":"2020-05-20T00:21:22+02:00","modified":"2020-05-20T00:21:22+02:00","slug":"orkestralni-jazz-15","post-type":"post","title":"Orkestralni jazz","link":"https://ars.rtvslo.si/api/wp/2020/05/orkestralni-jazz-15/","content":"

Veliki jazzovski orkestri (big bandi) so v zgodovini odigrali pomembno vlogo. Od poznih dvajsetih letih 20. stoletja so se obdržali vse do danes. Prisluhnite zgodbam iz preteklosti in tudi sodobnim jazzovskim orkestrom.

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V današnjem Orkestralnem jazzu se bomo na kratko dotaknili plošče Kenton In Hi-Fi iz leta 1956.
\nNa njej so Kentonove uspešnice iz 40.-ih let, posnete na novo, v stereo tehniki.

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V današnjem Orkestralnem jazzu se bomo na kratko dotaknili plošče Kenton In Hi-Fi iz leta 1956.
\nNa njej so Kentonove uspešnice iz 40.-ih let, posnete na novo, v stereo tehniki.

Davisov nonet je predstavil Birth of the Cool precej pred svojim časom. Z njim je vplival na razvoj jazza v obsegu, ki je postal za Davisa kasneje nekaj povsem običajnega. Oplajal je glasbenike kot sta bila Gerry Mulligan in Chet Baker. Oba sta bila glavna protagonista slavnega Mulliganovega kvarteta brez kavirja v prvi polovici 50.-ih let. Iz rojstva kula, kot bi lahko prevedli naslov plošče Birth of the Cool, je črpal pianist in skladatelj John Lewis, ki je vodil jazzovsko zasedbo z najdaljšim stažem v zgodovini jazza, Modern Jazz Quartet. Trobentač Shorty Rogrers je novo estetiko inkorporiral v priredbe, ki jih je pisal za legendarni orkester karizmatičnega Stana Kentona. In še bi lahko naštevali.

","excerpt":"Začetki \"cool\" jazza","featured-media-id":20281,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Začetki \"cool\" jazza","category-text":"False","permalink":"2020/05/orkestralni-jazz-13/","show-start":"2020-05-19T15:00:00+02:00","show-end":"2020-05-19T15:30:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Bill Holman velja za enega največjih aranžerjev v zgodovini jazza. Zbirka albumov, pod katere se je podpisal, ni velika, imajo pa zato toliko večjo umetniško vrednost. S svojimi priredbami je prispeval k uspehu umetnikov, kot so Stan Kenton, Maynard Ferguson in Natalie Cole.

","excerpt":"Glasba Theloniousa Monka","featured-media-id":20180,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Glasba Theloniousa Monka","category-text":"False","permalink":"2020/04/orkestralni-jazz-12/","show-start":"2020-05-12T15:00:00+02:00","show-end":"2020-05-12T15:30:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Stan Kenton je bil rojen leta 1911, čeprav je sam ves čas navajal letnico 1912. Svojo glasbo je poimenoval “Progressive Jazz” – Progresivni jazz. V 40-ih letih 20.-ga stoletja pa so njegovo glasbo imenovali tudi “The Wall of Sound” – Stena zvoka. Svoj prvi orkester je ustanovil leta 1941 in ga poimenoval “Artistry In Rhytm”.

Orkester Stana Kentona je posnel več kot 70 plošč in zavzema prav posebno mesto med velikimi jazzovskimi orekstri v zgodovini jazza. Med leti 1946 in 1960 ja prav vsako leto osvojil laskov naslov orkester leta ali pa naziv glasbenik leta, ki so ga podeljevale revije Metronome, Downbeat in Playboy. Orkester je bil sedemkrat nominiran za nagrado Grammy, od tega jih je osvojil dve.

V današnjem Orkestralnem jazzu se bomo na kratko dotaknili plošče Cuban Fire iz leta 1956.

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V današnjem Orkestralnem jazzu se bomo na kratko dotaknili plošče Cuban Fire iz leta 1956.

Charlie Haden bo za vedno ostal zapisan v zgodovini jazza kot eden najbolj inovativnih in hkrati melodičnih kontrabasistov v zgodovini jazza. Leta 1969 je s pianistko, skladateljico in dirigentko Carlo Bley ustanovil Liberation Music Orchestra, avantgardni big band, ki ni skrival politično angažiranih sporočil, predvsem proti politiki represije in nepravičnosti. Leta 2014 je mojster Haden umrl. Zapustil je tudi nekaj nedokončanih projektov, med njimi ploščo, ki jo predstavljamo danes. Uredila jo je Carla Bley in nosi naslov Time/Line.

","excerpt":"Time/Line","featured-media-id":19979,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Time/Line","category-text":"False","permalink":"2020/04/orkestralni-jazz-8/","show-start":"2020-04-28T15:00:00+02:00","show-end":"2020-04-28T15:30:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Mnogi jazzovski strokovnjaki so si edini, da je bil nastop trobentača Milesa Davisa leta 1961 v newyorški Carnegie Hall eden njegovih najboljših koncertov sploh. Poleg kvinteta, v katerem so bili pianist Wynton Kelly, basist Paul Chambers, bobnar Jimmy Cobb in tenor saksofonist Hank Mobley, je zaigral tudi orkester pod vodstvom Gila Evansa.
\nV oddaji Orkestralni jazz bomo slišali skladbi Adagio iz Concierta de Aranjuez in So What. Oddajo je pripravil Hugo Šekoranja.

","excerpt":"At Carnegie Hall","featured-media-id":19902,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"At Carnegie Hall","category-text":"False","permalink":"2020/04/orkestralni-jazz-6/","show-start":"2020-04-21T15:00:00+02:00","show-end":"2020-04-21T15:30:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Veliki jazzovski orkestri (big bandi) so v zgodovini odigrali pomembno vlogo. V svoje goste pa so vedno vabili tudi vokalne soliste.

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Veliki jazzovski orkestri (big bandi) so v zgodovini odigrali pomembno vlogo. V svoje goste pa so vedno vabili tudi vokalne soliste.

Tomaž Grintal je eden najbolj vsestranskih trobentačev v zgodovini slovenske glasbe. Do upokojitve je bil dolgoletni član slovite trobentaške sekcije Big Banda RTV Slovenija, v kateri je prvo trobento igral neprekosljivi Pavel Grašič, poleg njega pa še legendarni Petar Ugrin. Ob odhodu iz orkestra je izdal ploščo, nekakšen presek njegovega ustvarjanja kot komponist, aranžer, dirigent in trobentač.

","excerpt":"Pra Dizer Adeus","featured-media-id":19744,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Pra Dizer Adeus","category-text":"False","permalink":"2020/03/orkestralni-jazz-162/","show-start":"2020-04-07T15:00:00+02:00","show-end":"2020-04-07T15:30:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Ron Carter je eden največjih še živečih kontrabasistov. proslavil se je v 60.-ih letih 20.-ga stoletja, ko je igral v slovitem kvintetu trobentača Milesa Davisa. Predstavljamo Carterjev veliki jazzovski orkester iz leta 2011.

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