{"links":{"first":"https://ars.rtvslo.si/api/post?categories=7&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=1","last":"https://ars.rtvslo.si/api/post?categories=7&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=25","next":"https://ars.rtvslo.si/api/post?categories=7&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=2","prev":null},"data":[{"type":"Post","id":"79556","attributes":{"wp-id":628535,"date":"2020-05-14T00:21:19+02:00","modified":"2020-05-29T13:21:35+02:00","slug":"arsov-art-atelje-82","post-type":"post","title":"Finalisti nagrade Palma Ars Acustica 2020","link":"https://ars.rtvslo.si/api/wp/2020/05/arsov-art-atelje-82/","content":"

Poslušali bomo izbor iz petih del, ki se bodo konec tedna potegovala za nagrado natečaja Palma Ars Acustica. Nagrado od leta 2013 podeljuje ekspertna skupina Ars Acustica, ki deluje znotraj evropske zveze radijskih postaj. Natečaj predstavlja avtorje radijske, zvočne umetnosti, zvočne poezije, tekstovnih zvočnih kompozicij, elektroakustične glasbe in elektronike, ob odkrivanju umetniških presežkov v teh zvrsteh pa krepi mednarodno sodelovanje in izmenjavo del med peščico radijskih postaj, ki danes še gojijo lastno umetniško produkcijo.

","excerpt":"Med njimi tudi delo IDEN Bojane Šaljić Podešva, Saške Rakef in Tine Kozin","featured-media-id":2,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/arsov-art-atelje/174696195","abovetitle":"","subtitle":"Med njimi tudi delo IDEN Bojane Šaljić Podešva, Saške Rakef in Tine Kozin","category-text":"False","permalink":"2020/05/arsov-art-atelje-82/","show-start":"2020-05-27T20:00:00+02:00","show-end":"2020-05-27T22:00:00+02:00","audio-length":"7177","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive04/2020/05/28/FinalistinagradePalmaArsAcustica20204773885.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174696195","embed":"","content-parsed":[{"kind":"html","content":"

V tokratni oddaji se bomo podrobno posvetili obširnemu, izjemno raznolikemu in kompleksnemu poglavju zgodovine komponirane glasbe 20. stoletja – ameriški glasbi. Kako razumeti zgodovino in inovativnost ameriške glasbe ter kako jo umestiti v ameriško družbo in kakšno je družbeno mesto ameriškega skladatelja resne glasbe danes bodo razmišljali muzikolog Gregor Pompe, sociolog kulture ter glasbeni publicist Ičo Vidmar in pa dirigent Steven Loy. Pogovori so prvotno nastali za oddajo, ki je bila del koncerta Studia za novo glasbo Akademije za glasbo decembra leta 2015.

","excerpt":"Kako razumeti zgodovino in inovativnost ameriške glasbe","featured-media-id":2,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable_imported","article-format":"","ava-link":"","abovetitle":"","subtitle":"Kako razumeti zgodovino in inovativnost ameriške glasbe","category-text":"False","permalink":"2020/05/arsov-art-atelje-81/","show-start":"2020-05-20T20:00:00+02:00","show-end":"2020-05-20T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Zaključujemo poslušanje izbora koncertnih posnetkov z lanskih Glasbenih dni v Donaueschingenu, s tega pomembnega, vplivnega festivala sodobne glasbe, ki se je odvil med 18. in 20. oktobrom. Poslušali bomo posnetke z dveh koncertov, dve deli z večera Eksperimentalnega studia Jugozahodnega nemškega radia in ansambla Resonanz ter dve deli z uvodnega orkestrskega koncerta.

","excerpt":"Skladatelji Michael Pelzel, Gordon Kampe, Simon Steen-Andersen in Nicole Lizée","featured-media-id":20194,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Skladatelji Michael Pelzel, Gordon Kampe, Simon Steen-Andersen in Nicole Lizée","category-text":"False","permalink":"2020/04/arsov-art-atelje-78/","show-start":"2020-05-13T20:00:00+02:00","show-end":"2020-05-13T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

V Ateljeju nadaljujemo s poslušanjem koncertnih posnetkov z Glasbenih dni v Donaueschingenu. Tokrat s francoskim, a v Nemčiji delujočim skladateljem Markom Andrejem, ki se je v Donaueschingen vrnil s skladbo »rwh 1« za ansambel in elektroniko in Albertom Posadasom in njegovim obsežnim delom Poetika prostora.

","excerpt":"Dve izstopajoči noviteti s festivala, izvedbi Eksperimentalnega studia SWR, ansambla Resonanz in Klangforum Wien","featured-media-id":20099,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Dve izstopajoči noviteti s festivala, izvedbi Eksperimentalnega studia SWR, ansambla Resonanz in Klangforum Wien","category-text":"False","permalink":"2020/04/arsov-art-atelje-76/","show-start":"2020-05-06T20:00:00+02:00","show-end":"2020-05-06T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Poslušamo koncert ansambla InterContemporain na Glasbenih dnevih v Donaueschingenu, posnetek koncerta z novimi deli Johannesa Borisa Borowskega, Beata Furrerja, Pierre-Yvesa Macéja in delom T.E.R.R.A II slovenske skladateljice Nine Šenk.

","excerpt":"Poslušamo koncert Glasbenih dnevov v Donaueschingenu","featured-media-id":20006,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Poslušamo koncert Glasbenih dnevov v Donaueschingenu","category-text":"False","permalink":"2020/04/arsov-art-atelje-13/","show-start":"2020-04-29T20:00:00+02:00","show-end":"2020-04-29T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

V tokratnem Arsovem art ateljeju bomo poslušali koncertni posnetek dua Aecstaly –deli za dve harfi Mike-a Svobode in Karlheinza Stockhausna. Duo, ki ga sestavljata harfistki Estelle Costanzo in Alice Belugou je z noviteto Svobode in poznim Stockhausnovim delom na baselskem Bienalu za novo glasbo in arhitekturo nastopil septembra lani

","excerpt":"Harfistki Estelle Costanzo in Alice Belugou na koncertnem posnetku iz baselske cerkve Svetega Antona","featured-media-id":2,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable_imported","article-format":"","ava-link":"","abovetitle":"","subtitle":"Harfistki Estelle Costanzo in Alice Belugou na koncertnem posnetku iz baselske cerkve Svetega Antona","category-text":"False","permalink":"2020/04/arsov-art-atelje-8/","show-start":"2020-04-22T20:00:00+02:00","show-end":"2020-04-22T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Posvetili se bomo delu mojstra elektroakustične glasbe Pierra Henryja. Poslušali bomo izbor iz antologije, ki jo je v svojem pariškem studiu Son / Re pripravil in avtoriziral Henry tik pred svojo smrtjo leta 2017, potem pa je zbirka dvanajstih plošč z naslovom Polyphonies izšla v založništvu Decce. Zbirka kaže Henryjevo zvočno in skladateljsko mojstrstvo, pa tudi edinstveno estetiko, ki jo je težko zakoličiti, saj se dotika številnih smeri sodobne glasbe – še zdaleč ne le konkretne glasbe, ki jo je pomagal utemeljiti v štiridesetih in petdesetih letih 20. stoletja, ampak tudi komorne, svobodno improviziranih zvočenj, pa preparacij glasbil, umetniške radiofonije… Ob izboru odlomkov in skladb iz obsežne antologije bomo načeli nekaj pomembnejših značilnosti glasbe in osebnosti Pierra Henryja, del njegove svobodomiselne zapuščine.

","excerpt":"Poslušamo izbor zbirke Polyphonies utemeljitelja konkretne glasbe","featured-media-id":19835,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Poslušamo izbor zbirke Polyphonies utemeljitelja konkretne glasbe","category-text":"False","permalink":"2020/04/arsov-art-atelje-4/","show-start":"2020-04-15T20:00:00+02:00","show-end":"2020-04-15T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

Charlemagne Palestine je glasbenik, instrumentalist, vokalist, ki teži k celovitosti forme performansa, in je vizualni umetnik, čeprav moramo ponoviti da vsega tega ne gre ločevati. Kot mlad glasbenik je v šestdesetih letih pel v sinagogah, igral orgle, izvajal je dela Messiaena, Cagea, na skrivaj poslušal vaje Igorja Stravinskega, igral jazz, spremljal bitniške pesnike, sedem let je v Episkopalni cerkvi sv. Tomaža na Manhattnu igral kariljon in zvonovi so ga povsem prevzeli. Obrednost je postala osrednja lastnost njegovega dela.

Poslušali bomo njegova razmišljanja iz pogovora nastalega med njegovim obiskom v Sloveniji leta 2015, Palestinovo znamenito delo Strumming Music iz leta 1974 in izbor njegovega novejšega glasbenega ustvarjanja.

","excerpt":"Glasbenik, improvizator, skladatelj, umetnik vseh čutov, nasmejani šaman.","featured-media-id":19736,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Glasbenik, improvizator, skladatelj, umetnik vseh čutov, nasmejani šaman.","category-text":"False","permalink":"2020/03/arsov-art-atelje-108/","show-start":"2020-04-08T20:00:00+02:00","show-end":"2020-04-08T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

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V nedeljo nas je v starosti 87. let zapustil poljski skladatelj Krzysztof Penderecki. Bil je eden osrednjih skladateljev povojne avantgarde, ki je svoj vpliv razširil čez meje svoje domovine in z nekompromisno glasbeno držo pomembno prispeval k razvoju umetniške glasbe v dvajsetem stoletju.

","excerpt":"Žalostinka za žrtve Hirošime, De Natura Sonoris št. 1, Partita za čembalo in orkester, Simfonija št. 2, Koncert za violino in orkester št. 2","featured-media-id":5686,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Žalostinka za žrtve Hirošime, De Natura Sonoris št. 1, Partita za čembalo in orkester, Simfonija št. 2, Koncert za violino in orkester št. 2","category-text":"False","permalink":"2020/03/arsov-art-atelje-174/","show-start":"2020-04-01T20:00:00+02:00","show-end":"2020-04-01T22:00:00+02:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"7"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"93"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"5686"},"links":{"related":"https://ars.rtvslo.si/api/media/5686"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"77124","attributes":{"wp-id":603583,"date":"2020-03-12T16:24:29+01:00","modified":"2020-04-01T22:00:04+02:00","slug":"arsov-art-atelje-173","post-type":"post","title":"John Tilbury, pianist, interpret, improvizator, muzik","link":"https://ars.rtvslo.si/api/wp/2020/03/arsov-art-atelje-173/","content":"

John Tilbury, pianist stare dobre instrumentalne obrti in intelektualne, tufi politične misli, je od šestdesetih let eden najpomembnejših interpretov del ameriških in eksperimentalnih skladateljev. Je eden tistih glasbenikov, ki se obračajo iz specializacije in iščejo vsestranskost, celovitost glasbenega delovanja, kar pomeni igranje, raziskovanje glasbila, več glasbil, skladanje, sprotno ustvarjanje glasbe, njen premislek.

Ob poslušanju novejših posnetkov pianista se bomo srečevali zlasti z dvema za Tilburyja ključnima skladateljema, Corneliusom Cardewom in Mortonom Feldmanom. Poslušali bomo del plošče The Tiger’s Mind s Tilburyjevo izvedbo istoimenske kompozicije Cardewa ter del Feldmanove skladbe For John Cage, ki jo je John Tilbury nedavno posnel z violinistom Darraghom Morganom. Poslušali bomo tudi improvizacijsko zasedbo AMM, odlomek z zadnje, tridelne izdaje te edinstvene skupine, v kateri Tilbury deluje od začetka osemdesetih let.

","excerpt":"Novi posnetki znamenitega izvajalca Mortona Feldmana in raziskovalca Corneliusa Cardewa","featured-media-id":2659,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"","abovetitle":"","subtitle":"Novi posnetki znamenitega izvajalca Mortona Feldmana in raziskovalca Corneliusa Cardewa","category-text":"False","permalink":"2020/03/arsov-art-atelje-173/","show-start":"2020-03-25T20:00:00+01:00","show-end":"2020-03-25T22:00:00+01:00","audio-length":"","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":null,"instagram-embed":false,"facebook-embed":false,"ava-id":null,"embed":"","content-parsed":[{"kind":"html","content":"

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