{"links":{"first":"https://ars.rtvslo.si/api/post?categories=108&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=1","last":"https://ars.rtvslo.si/api/post?categories=108&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=39","next":"https://ars.rtvslo.si/api/post?categories=108&hide_future=true&include=featured_media%2Cfrontpage_image%2Cauthors&page=2","prev":null},"data":[{"type":"Post","id":"83029","attributes":{"wp-id":640413,"date":"2020-07-31T00:20:45+02:00","modified":"2020-08-13T13:05:03+02:00","slug":"razgledi-in-razmisleki-262","post-type":"post","title":"Pogovor s francosko pisateljico Véronique Olmi","link":"https://ars.rtvslo.si/api/wp/2020/07/razgledi-in-razmisleki-262/","content":"

Véronique Olmi je priznana francoska igralka, pisateljica in scenaristka, napisala je več gledaliških iger, kratkih zgodb in romanov. Leta 2017 je izšel njen roman z naslovom Bakhita, ki so ga navdušeno sprejeli tako kritiki kot bralci. Gre za pretresljivo pripoved o deklici, ki so jo pri sedmih letih v Sudanu ugrabili trgovci s sužnji. Po dolgem trpljenju je postala péstunja bogatega italijanskega para, se spreobrnila v krščanstvo in postala redovnica. Leta 2000 jo je katoliška cerkev razglasila za svetnico.
\nRoman Véronique Olmi je prevedla Janina Kos. Z Véronique Olmi se je konec lanskega leta med njenim obiskom Slovenije pogovarjala Nina Gostiša.

","excerpt":"\"Čim pogosteje se moramo spomniti na hvaležnost. V trenutku se namreč lahko vse spremeni.\"","featured-media-id":15944,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174711541","abovetitle":"","subtitle":"\"Čim pogosteje se moramo spomniti na hvaležnost. V trenutku se namreč lahko vse spremeni.\"","category-text":"False","permalink":"2020/07/razgledi-in-razmisleki-262/","show-start":"2020-08-13T13:05:00+02:00","show-end":"2020-08-13T13:30:00+02:00","audio-length":"1022","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/08/13/PogovorsfrancoskopisateljicoVroniqueOlmi4862457.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174711541","embed":"","content-parsed":[{"kind":"html","content":"

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Konec julija 2020 je Hagia Sophia v Istanbulu po nekaj manj kot sto letih spet postala mošeja. V petem stoletju so jo v času vladavine Justinjana I. v Konstantinoplu sezidali kot cerkev Božje modrosti. Več kot tisoč let je bila sedež ekumenskega patriarhata. Po turškem zavzetju Konstantinopla leta 1453 so jo spremenili v mošejo. Leta 1934 jo je turški predsednik Kemal Atatürk sekulariziral, leto pozneje je postala muzej. Velja za najvažnejšo bizantinsko stavbo in za enega najpomembnejših svetovnih spomenikov. Turški islamisti so dolgo terjali, naj muzej spet postane mošeja, čemur so pripadniki sekularne opozicije ostro nasprotovali. Ukrep je izzval ostre kritike med verskimi in političnimi voditelji po vsem svetu. Drago Jančar v eseju z naslovom Istanbul opisuje mesto, kakršno je bilo v letu 2013, ko so ga zaznamovali hudi protesti v parku Gezi in na trgu Taksim. V marsičem pa se v njem napoveduje tudi sedanja Turčija.

Foto: Melchior Lorck: Hagia Sophia, 1559

Melchior Lorck (tudi Lorichs, Lorich ali Lorch) rojen leta 1526 ali 1527 v Flensburgu, umrl 1564 v Københavnu; renesančni slikar, risar in grafik dansko-nemškega rodu. Zelo pomembne so njegove podobe Turčije v 16. stoletju.

","excerpt":"O mestu, skozi katero teče morje","featured-media-id":21129,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174709333","abovetitle":"","subtitle":"O mestu, skozi katero teče morje","category-text":"False","permalink":"2020/07/razgledi-in-razmisleki-115/","show-start":"2020-08-06T13:05:00+02:00","show-end":"2020-08-06T13:30:00+02:00","audio-length":"1394","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/31/DragoJanarIstanbul4850675.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174709333","embed":"","content-parsed":[{"kind":"html","content":"

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Foto: Melchior Lorck: Hagia Sophia, 1559

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Letošnje leto je na vseh področjih našega življenja in delovanja zaznamovala nalezljiva bolezen oziroma njena grožnja. O tem, kako je epidemija koronavirusa vplivala na gledališče in gledališko delovanje in ustvarjanje, pa tudi o načrtih za prihodnost se je Staša Grahek ob koncu najbolj nenavadne gledališke sezone pogovarjala z gledališko režiserko Barbaro Hieng Samobor, ki je direktorica in umetniška vodja enega večjih slovenskih gledališč - Mestnega gledališča ljubljanskega.

","excerpt":"Kako je epidemija koronavirusa vplivala na gledališko ustvarjanje?","featured-media-id":11078,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174708720","abovetitle":"","subtitle":"Kako je epidemija koronavirusa vplivala na gledališko ustvarjanje?","category-text":"False","permalink":"2020/07/razgledi-in-razmisleki-83/","show-start":"2020-07-30T13:05:00+02:00","show-end":"2020-07-30T13:30:00+02:00","audio-length":"1127","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/28/Ljubimpredstavepokaterihodhajamizdvoranespremenjena.4847679.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174708720","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"141"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"11078"},"links":{"related":"https://ars.rtvslo.si/api/media/11078"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"82235","attributes":{"wp-id":637310,"date":"2020-07-10T00:20:55+02:00","modified":"2020-07-23T13:05:04+02:00","slug":"razgledi-in-razmisleki-33","post-type":"post","title":"Juan Marsé - ob smrti katalonskega pisatelja","link":"https://ars.rtvslo.si/api/wp/2020/07/razgledi-in-razmisleki-33/","content":"

Pred dnevi je umrl katalonski pisatelj Juan Marsé, ki sodi med najpomembnejše pisatelje sodobne Španije. Rodil se je leta 1933; mati je nekaj dni po porodu umrla, oče ga je oddal v posvojitev. Njegova življenjska zgodba je bila vse prej kot lahka, že od zgodnjih let se je preživljal sam. Ni se šolal, je pa veliko bral in se kot ustvarjalec oblikoval ob gledanju ameriških filmov. Pisati je začel kot najstnik, prvi roman je objavil pri petindvajsetih. Zaznamovala ga je Francova diktatura, ki je njegova dela prepovedovala. Več Marséjevih knjig je zato izšlo v Mehiki. Njegova dela pretresljivo slikajo Katalonijo v času po španski državljanski vojni in razmere v obdobju Francove diktature. Na prevod katerega njegovih v slovenščino še čakamo. Vabimo vas, da prisluhnete ponovitvi oddaje, ki jo je o Juanu Marséju, njegovem življenju in ustvarjanju leta 2009, ko je prejel najpomembnejšo špansko literarno nagrado – Cervantesovo – pripravil Andrej Rot.

","excerpt":"\"Pišem zato, da bi se spominjal izkušenj, ki bi jih želel imeti.\"","featured-media-id":21034,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174707516","abovetitle":"","subtitle":"\"Pišem zato, da bi se spominjal izkušenj, ki bi jih želel imeti.\"","category-text":"False","permalink":"2020/07/razgledi-in-razmisleki-33/","show-start":"2020-07-23T13:05:00+02:00","show-end":"2020-07-23T13:30:00+02:00","audio-length":"1225","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/21/ObsmrtikatalonskegapisateljaJuanaMarsja4841496.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174707516","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"14"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"21034"},"links":{"related":"https://ars.rtvslo.si/api/media/21034"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"81961","attributes":{"wp-id":635788,"date":"2020-07-03T00:20:53+02:00","modified":"2020-07-16T13:05:03+02:00","slug":"razgledi-in-razmisleki-261","post-type":"post","title":"Pogovor z Veroniko Simoniti o romanu Ivana pred morjem","link":"https://ars.rtvslo.si/api/wp/2020/07/razgledi-in-razmisleki-261/","content":"

Konec junija so podelili kresnik za najboljši roman. Nagrado, ki jo podeljuje časopisna hiša Delo, je prejela Veronika Simoniti za roman Ivana pred morjem. Leta 2005 je izšel njen prvenec Zasukane štorije, sledila sta Hudičev jezik (leta 2011) in roman Kameno seme (leta 2014). Lani je objavila roman Ivana pred morjem, letos pa zbirko kratke proze z naslovom Fugato. V romanu Ivana pred morjem je dogajanje postavljeno na slovensko obalo. Prvoosebna pripovedovalka odkrije v hiši prednikov fotografijo mame in noseče babice. Kako vendar, saj mama ni imela ne brata ne sestre … Sprožilec dogajanja bralca potegne v zanimiv preplet sedanjosti in preteklosti. Lani poleti se je z Veroniko Simoniti o čisto svežem romanu za oddajo Razgledi in razmisleki pogovarjala Tadeja Krečič.

","excerpt":"Pogovor s prejemnico letošnjega kresnika","featured-media-id":20268,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable_imported","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174706615","abovetitle":"","subtitle":"Pogovor s prejemnico letošnjega kresnika","category-text":"False","permalink":"2020/07/razgledi-in-razmisleki-261/","show-start":"2020-07-16T13:05:00+02:00","show-end":"2020-07-16T13:30:00+02:00","audio-length":"1201","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/16/VeronikaSimonitioromanuIvanapredmorjem4837507.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174706615","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"22"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"20268"},"links":{"related":"https://ars.rtvslo.si/api/media/20268"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"81679","attributes":{"wp-id":634894,"date":"2020-06-27T17:28:56+02:00","modified":"2020-07-08T13:06:06+02:00","slug":"razgledi-in-razmisleki-260","post-type":"post","title":"Marko Sosič: Narodni dom - izziv ali izginotje","link":"https://ars.rtvslo.si/api/wp/2020/06/razgledi-in-razmisleki-260/","content":"

Ob stoti obletnici požiga Narodnega doma v Trstu objavljamo v Razgledih in razmislekih besedilo z naslovom Narodni dom – izziv ali izginotje. Napisal ga je Marko Sosič, Tržačan, režiser, pisatelj, avtor radijskih iger. Za roman Balerina, balerina je dobil tržaško nagrado Vstajenje, z romanom pa se je uvrstil tudi v krog finalistov za nagrado Kresnik. Za to nagrado so se potegovali še trije Sosičevi romani, med njimi roman Tito, amor mijo, ki je bil nominiran tudi za nagrado Prešernovega sklada. Zbirka kratkih zgod Iz zemlje in sanj je bila nominirana za najboljšo knjigo leta ter uvrščena v ožji izbor za nagrado Fabula 2012. Njegova dela so prevedena v številne jezike. Marko Sosič je tudi oster premišljevalec o vsakršnih, tudi družbenih, sodobnih pojavih, zato smo ga ob okrogli obletnici požiga Narodnega doma povabili k pisanju eseja za oddajo Razgledi in razmisleki.

","excerpt":"Ob stoti obletnici fašističnega požiga Narodnega doma v Trstu","featured-media-id":20893,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174705073","abovetitle":"","subtitle":"Ob stoti obletnici fašističnega požiga Narodnega doma v Trstu","category-text":"False","permalink":"2020/06/razgledi-in-razmisleki-260/","show-start":"2020-07-09T13:05:00+02:00","show-end":"2020-07-09T13:30:00+02:00","audio-length":"966","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/08/MarkoSosiNarodnidom-izzivaliizginotje4829726.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174705073","embed":"","content-parsed":[{"kind":"html","content":"

Na Češkoslovaškem rojeni Milan Kundera velja za češkega in hkrati francoskega pisatelja svetovnega slovesa. Je avtor številnih slavnih romanov, kot so Šala, Neznosna lahkost bivanja, Smešne ljubezni, Nesmrtnost, ki jih imamo tudi v slovenskih prevodih. V Pragi je pred nekaj dnevi o njem izšla obsežna biografija z naslovom Kundera. Avtor biografije, Jan Novák, skuša pokazati, kako naj bi bil pisatelj v mladosti ovaduh, pa tudi sicer naj bi imel celo vrsto negativnih značajskih lastnosti. Knjiga že vzbuja izjemno žolčne odmeve. Sam Milan Kundera se doslej še ni odzval, piše Peter Kuhar, ki spremlja izid knjige v Pragi.

","excerpt":"Jan Novák: Kundera - o njegovem življenju in delu.","featured-media-id":20801,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174703732","abovetitle":"","subtitle":"Jan Novák: Kundera - o njegovem življenju in delu.","category-text":"False","permalink":"2020/06/razgledi-in-razmisleki-259/","show-start":"2020-07-02T13:05:00+02:00","show-end":"2020-07-02T13:30:00+02:00","audio-length":"1054","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/07/01/PeterKuharOnovikontroverznibiografijiMilanaKundere4821773.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174703732","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"144"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"20801"},"links":{"related":"https://ars.rtvslo.si/api/media/20801"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"80641","attributes":{"wp-id":631834,"date":"2020-06-12T00:21:10+02:00","modified":"2020-06-24T14:27:06+02:00","slug":"razgledi-in-razmisleki-258","post-type":"post","title":"Agata Tomažič: Nož v ustih","link":"https://ars.rtvslo.si/api/wp/2020/06/razgledi-in-razmisleki-258/","content":"

Na slovenski knjižni trg je prišla nova knjiga kratkih zgodb Agate Tomažič z naslovom Nož v ustih: izšla je pri založbi Goga. Že s prvo kratkoprozno zbirko Česar ne moreš povedati frizerki pred petimi leti je avtorica pritegnila pozornost številnih bralcev in literarne javnosti. Vmes je objavila roman Tik pod nebom let in potopisno knjigo Zakaj potujete v take dežele?. Lani je skupaj s Tamaro Langus in Teo Kleč objavila knjigo Ne sprašujte za pot, Blodnik po Istri. Z Agato Tomažič se je o novi knjigi Nož v ustih pogovarjala Tadeja Krečič.

","excerpt":"Nova knjiga kratkih zgodb","featured-media-id":20754,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174702500","abovetitle":"","subtitle":"Nova knjiga kratkih zgodb","category-text":"False","permalink":"2020/06/razgledi-in-razmisleki-258/","show-start":"2020-06-25T13:05:00+02:00","show-end":"2020-06-25T13:30:00+02:00","audio-length":"1328","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/06/24/AgataTomaiNovustih4813038.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174702500","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"144"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"20754"},"links":{"related":"https://ars.rtvslo.si/api/media/20754"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"80398","attributes":{"wp-id":631033,"date":"2020-06-05T00:21:19+02:00","modified":"2020-06-12T14:22:01+02:00","slug":"razgledi-in-razmisleki-257","post-type":"post","title":"Andrei Makine: Otočje drugačnega življenja","link":"https://ars.rtvslo.si/api/wp/2020/06/razgledi-in-razmisleki-257/","content":"

Pred nedavnim je izšel pri Književnem društvu Hiša poezije roman z naslovom Otočje drugačnega življenja. Leta 2016 ga je objavil sodobni rusko – francoski pisatelj Andrei Makine, avtor kakih osemnajstih knjig – morda je pri nas najbolj poznan roman Francoski testament. Zanj je leta 1995 dobil kar dve izmed najpomembnejših francoskih literarnih nagrad: Goncourtovo in Médicis. Slovenci romane Andreija Makinea beremo v prevodih Nadje Dobnik, tudi najnovejšega: Otočje drugačnega življenja. Prevajalko Nadjo Dobnik je Tadeja Krečič povabila pred mikrofon.

","excerpt":"Pogovor s prevajalko Nadjo Dobnik o novi knjigi francoskega pisatelja v slovenščini","featured-media-id":20590,"comment-status":"closed","sticky":false,"radio-id":"","radio-repeat":false,"radio-status":"immutable","article-format":"","ava-link":"https://4d.rtvslo.si/arhiv/razgledi-in-razmisleki/174699626","abovetitle":"","subtitle":"Pogovor s prevajalko Nadjo Dobnik o novi knjigi francoskega pisatelja v slovenščini","category-text":"False","permalink":"2020/06/razgledi-in-razmisleki-257/","show-start":"2020-06-18T13:05:00+02:00","show-end":"2020-06-18T13:30:00+02:00","audio-length":"1044","is-immutable":true,"twitter-embed":false,"polls-embed":false,"ava-mp3":"https://progressive.rtvslo.si/ava_archive06/2020/06/11/AndreiMakineOtojedruganegaivljenja4793019.mp3","instagram-embed":false,"facebook-embed":false,"ava-id":"174699626","embed":"","content-parsed":[{"kind":"html","content":"

"}]},"relationships":{"categories":{"data":[{"type":"Category","id":"108"}],"meta":{"count":1}},"authors":{"data":[{"type":"Author","id":"144"}],"meta":{"count":1}},"featured-media":{"data":{"type":"Media","id":"20590"},"links":{"related":"https://ars.rtvslo.si/api/media/20590"}},"frontpage-image":{"data":null}}},{"type":"Post","id":"80130","attributes":{"wp-id":630222,"date":"2020-05-29T00:21:10+02:00","modified":"2020-06-11T14:11:43+02:00","slug":"razgledi-in-razmisleki-256","post-type":"post","title":"Angelo Ara, Claudio Magris: Trst, obmejna identiteta","link":"https://ars.rtvslo.si/api/wp/2020/05/razgledi-in-razmisleki-256/","content":"

V oddaji Razgledi in razmisleki objavljamo odlomek iz knjige Trst, obmejna identiteta. V njej avtorja Angelo Ara in Claudio Magris analizirata tržaško identiteto skozi bogato in burno zgodovino, zaznamovano z mnogimi in tudi bolečimi protislovji, po eni strani s kozmopolitizmom in po drugi z njegovim popolnim nasprotjem.

Knjigo je prevedla Marija Cenda – Klinc.

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Knjigo je prevedla Marija Cenda – Klinc.

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